TRIPLE JUMP

Through the investigation and deconstruction of living spaces, this work explores the multifaceted relationships among narrative, history, and emotional contexts. It employs space and geometry as channels for deconstruction, transcending mere physical reorganization to adopt a nonlinear, geometric perspective that disrupts traditional linear storytelling. If “the essence of the world is geometric,” then geometric space offers a unique pathway to perceiving the world.

The work emphasizes the power of geometry to challenge singular historical narratives and constructs a multidimensional, complex nonlinear storytelling framework. Through elements such as parallelism, twists, connections, and supports, it blurs the timeline of history and narrative, transforming space into a multidimensional stage for storytelling. These geometric structures are not merely physical components but narrative symbols that re-encode history, emotions, and personal experiences, resisting the constraints of linear narration.

Here, space is no longer static but becomes an active narrative force, inviting the audience to reflect on how to establish oppositional relationships and discourses within a boundless power dynamic.